Boosting the right-hand side boost into the left-hand side but keeping the left hand side boost lower yields a very nice overdrive that feels and responds like Poweramp distortion.
The ability to craft a fuzz pedal to sound how you like is what the FALLOUT CLOUD is about. Whilst its start point was emulation, the end design is so much more and we are proud to say it’s an award winning pedal.
Our pedals typically exist to solve a perceived issue and/or ensure that in the segment of the pedal world they fit, they excel at what they are supposed to do. So, to that end I will try over the next few months to choose a pedal in our range and explain WHY it exists.